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The Guardian - UK
The Guardian - UK
Entertainment
Rhik Samadder

Portobello: how can this TV show about the mafia and a mind-controlled parrot be so wildly dull?

Man on a TV set talks to a green parrot. Fabrizio Gifuni as Enzo Tortora in Portobello.
Fabrizio Gifuni as Enzo Tortora in Portobello. Photograph: Anna Camerlingo

Had a little wager with myself this week, regarding whether HBO Max’s new series is about the west London vintage market, a mushroom, or a coastal suburb of Edinburgh. Even spread-betting, I got cleaned out. Portobello is actually the true story of Enzo Tortora, former host of Italy’s top TV show, who was falsely accused of being a member of the Camorra. How was I supposed to guess that?

At its height, Portobello the variety show had a staggering audience of 28 million, a national cross section from nuns to prison inmates. Among the latter, Giovanni Pandico: a froggy-looking Camorrist and clinical paranoid who becomes fixated, Stan-like, on Tortora. He believes he communicates with the presenter via telepathy, as well as mind control of a parrot which guest-stars on the show. Bizarrely, the mob criminal posts Tortora 20 lace doilies to sell on his show (in a segment actually called Portobello Market, which really spun me out).

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