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The Guardian - UK
The Guardian - UK
Entertainment
Jude Rogers

Poor Creature: All Smiles Tonight review – Lankum and Landless members steep tradition in lightness

From left: John Dermody, Ruth Clinton and Cormac MacDiarmada AKA Poor Creature.
Heightening atmosphere … from left: John Dermody, Ruth Clinton and Cormac MacDiarmada AKA Poor Creature. Photograph: Cían Flynn

The latest gorgeous release from the fecund Irish folk scene doesn’t begin with bassy dread in the Lankum mode, but a mood of gentle, haunting psychedelia. Adieu Lovely Erin starts by evoking Broadcast swirling around a maypole; then it’s as if Cocteau Twins had been transported to a traditional music session. Its sweet, high female vocals also evoke the improvisations of sean-nós singing, while simmering, krautrock-like drums build drama.

Poor Creature comprises three musicians expert in heightening and managing atmosphere: Landless’s Ruth Clinton, Lankum’s Cormac MacDiarmada plus live Lankum drummer John Dermody. Their debut album steeps cowboy songs, Irish ballads, bluegrass and other traditional songs in a misty, playful lightness that somehow also carries an eerie power. Bury Me Not is a 19th-century American song about a dying sailor desperate not to be buried at sea, and Clinton delivers its lamenting lyrics with a bright, shining innocence. MacDiarmada leads Lorene, a rolling, country ballad by Alabama duo the Louvin Brothers, with a similarly soft, brooding magic. Singing as a boy desperate for a letter from his beloved, despite clearly knowing he’s being ghosted, the song’s melancholy slowly rises as voice and guitar mesh together.

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