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The Guardian - UK
The Guardian - UK
Entertainment
Shaad D'Souza

PinkPantheress review – deft mashups from TikTok star who stepped seamlessly into real life

PinkPantheress at Alexandra Palace on 23 February
PinkPantheress in person … on stage at Alexandra Palace on Friday. Photograph: Burak Çıngı/Redferns

PinkPantheress’s Capable of Love tour might be the least creative-directed pop spectacle mounted this year, and it’s all the better for it. Loosely tying into the lightly gothic conceit of her 2023 debut album Heaven Knows, the show, ostensibly, has a haunted house theme: the 22-year-old producer and TikTok star is surrounded by large ornate mirrors and dusty-looking furniture, and every few songs a menacing voice booms through the speakers to introduce another section of the show.

But, as with Pink’s music, she cannot seem to commit to genre pastiche for more than a few moments at a time. It’s not long before burlesque dancers are swanning across the stage, dancing along to the emo-d’n’b hybrid Where You Are; later, during the feverish funky house joint The Aisle, immaculately coiffed salsa dancers take centre stage as Pink rests on a settee, happily watching. After they depart the stage, she gases them up like she’s bidding to be Strictly’s first zoomer judge: “They ate. They ate up and down.”

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