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The Guardian - UK
The Guardian - UK
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María Ramírez

Picasso’s Guernica is the ultimate emblem of the horrors of war. It has no place in Spain’s partisan squabbles

Volodymyr Zelenskyy with Spanish prime minister Pedro Sánchez stand in front of the huge painting Guernica, both in suits, with their arms hanging down straight
Ukrainian president Volodymyr Zelenskyy with Spanish prime minister Pedro Sánchez in front of Guernica in Madrid, Spain, 18 November 2025. Photograph: Spanish government/AP

Every September, Spain celebrates one of the most symbolic moments of its transition to democracy. This year will mark 45 years since an Iberia commercial flight from New York landed in Madrid with its pilot announcing to the surprised passengers that they had just travelled with one of the country’s most famous exiles: Pablo Picasso’s Guernica. After more than four decades on display at New York’s Museum of Modern Art (MoMA), the painting could finally return home after the end of the Franco dictatorship, in accordance with the wishes of the Spanish painter.

Picasso’s most famous painting, which depicted the horrors inflicted on civilians during the bombing of the Basque town of Gernika in the Spanish civil war, was intended to be a cry for peace. “If world peace prevails, the war I painted will be a thing of the past,” Picasso told Josep Lluís Sert, his friend and the architect of the Spanish Republic’s pavilion at the 1937 Paris international exhibition.

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