The thrum of bare feet pounding the earth erupts across the darkened theatre. Four women charge over the stage, eyes bright and defiant, whirling their limbs and hips as if made of liquid adrenaline. With each exultant gesture, each primal pulse, the women suspend a dream of freedom in the air – a vision of Africa without colonisation.
Bikutsi 3000, which had its Australian premiere at Perth festival, is an afro-futuristic performance by Cameroon artist Blick Bassy that packs a bold political punch: centring women as the agents of emancipation from Africa’s treacherous history of imperialism, with dance as their only weapon. Among the ensemble of African women are two local Aboriginal dancers, Liani Dalgetty and Kristyn Lane, who join in the celebratory march towards freedom.
