‘When I moved to Berlin 19 years ago, it felt like some kind of revival of the Weimar period,” says Mary Ocher, referring to the cultural glory days of pre-Nazi Germany. But then she saw “the tail end of this beautiful period. Now in Germany, they try to deport EU citizens who participated in pro-Palestine protests. From where I am, it’s pretty scary.” To Ocher, it was the right time to call her new album Weimar, to draw parallels between the rise of fascism in the 1930s and our own era, tied to her experiences as an immigrant artist in Berlin.
Ocher has never seen making political work as a choice. Born in Moscow to Jewish-Ukrainian parents, she is an Israeli citizen who grew up in Tel Aviv, where she was exposed to intense nationalism that appalled her. “I hated everything around me,” the 39-year-old says of her teenage years in Israel. “There was no accountability, no possibility to change anything. I could see that people who migrated to Israel wanted to integrate and to become part of that society, which means not criticising it, and actively joining the mainstream that is preaching hate.”
