The so-called “Blue Boy trial” in 1965 was a landmark moment for trans visibility in Japan. Now it has become a landmark film, directed by Kasho Iizuka, a transgender man and one of very few queer film-makers working in the commercial Japanese film industry.
The original legal case concerned a doctor who was prosecuted for performing gender reassignment surgery on transgender women, amid law enforcement frustrations that female-presenting transgender sex workers could not be prosecuted for their profession due to their being legally male. The doctor was found guilty of violating Japan’s eugenics laws, which prohibited surgeries resulting in sterilisation if they were deemed inessential. “Blue Boy”was a slang term for transgender individuals assigned male at birth, and the verdict effectively outlawed gender reassignment surgery in Japan until 1998. Despite this, the case raised the domestic profile of transgender people.
