Ken Grant’s Cwm: A Fair Country, a collection of nearly 30 years of landscape photography in the South Walian valleys, begins with a moving prologue. It mentions a painting he’s known since his Liverpudlian childhood, still sitting above his 92-year-old father’s mantelpiece: “Dapple-bruised Welsh horses, painted in a loose herd, are imagined beneath a sky that promises rain.”
From 1998, on commutes from Liverpool to the University of Wales, Newport (where he led a documentary photography degree), he noticed similar horses – completely by coincidence. “I didn’t seek them out at first, but on my drives, I soon got aware that they were there. Sometimes up a valley’s road, you’d see packs of 40 or 50.”
