“When Trump first won, there was almost a novelty to having a character such as him in a position of such vast responsibility – that was a new thing for comedy to address,” said Andy Zaltzman, chair of Radio 4’s The News Quiz and the satirist behind The Bugle podcast and multiple political comedies.
The first Trump presidency spawned debate about whether it’s possible to satirise a man whose extreme appearance and rhetoric mean he presents as a walking caricature. The New York Times even ran a piece titled “How President Trump ruined political comedy”.
Now comedians in the UK and US are trying to work out how to deal with a second, possibly darker, Trump presidency.
“Trump is so ridiculous that he makes comic extrapolation harder,” said Chicago-born, London-based standup Sara Barron, who found much of the comedy targeting Trump “did not provide catharsis”.
Zaltzman has just embarked on a tour and, post-election, is writing new jokes exploring the global implications. Trump’s absurdity means there are obvious punchlines, “but it can be harder to get to the heart of the issue”, Zaltzman said.
“Comedy is so ubiquitous – anything that happens, there’ll be a thousand memes and TikToks. The challenge is finding an original angle. That’s always been difficult with Trump.”
Previously, Zaltzman’s solution was presenting Trump’s brain (a cauliflower) on stage, using chopped-up Trump speeches to make it “speak” about Australian cricketers: “I figured no one else would be taking that angle.”
In the run-up to election day, Barron found a personal angle. Coincidentally, her career thrived under Trump’s last tenure, so she made a sketch satirising the instinct of many to think: “This terrible thing is happening, but here’s why it’s OK for me!”
Fellow US-born, UK-based standup Janine Harouni isn’t happy that Trump is back but said: “It’s a gift for comedy because people are feeling terrible and they want to laugh.” During Trump’s first term, Harouni produced Stand Up With Janine Harouni (Please Remain Seated), in which she explored the political distance between her left-leaning self and her Trump-supporting father.
“I wrote that show because I love my dad and cannot reconcile his political beliefs with how I feel about him personally. My father is also an Arab, son of immigrants, so I was really struggling with that,” Harouni said.
She approached this via comedy because it felt so thorny. “Comedy is a release of worry and fear. If you can find a way to laugh at something that upset you, it doesn’t have control any more,” Harouni said. “I wanted it to feel healing and hopeful.”
Barron witnessed that power while performing on election results day – a reminder that comedians can “give people some kind of respite”, she said. “It was an electric gig. Everyone was so happy to be with like-minded people.”
Catharsis is a driving force of political comedy, said Zaltzman: “It gives people a chance to laugh at serious news, which is valuable.” It can also challenge authority. “It absolutely has to hold power to account,” said Lewis MacLeod, the voice of Trump on Dead Ringers. “It becomes its own protest, but it’s done with laughs.”
MacLeod perfected his Trump impression for the latest series by studying recent interviews. “Listening to him on Joe Rogan was a gift for any mimic. It was uninterrupted; he wasn’t arguing,” he said. “He’s a little bit older, more reflective. There’s this messianic tone.”
MacLeod has also started caricaturing Elon Musk, who is likely to play a role in Trump’s administration. “There’s something of a mad, maniacal robot about him,” MacLeod said. There’s the danger of creating satirical impressions that are too likable: “That’s the rub of satire and mimicry.”
With Trump’s increased support this time, Zaltzman questions the power of comedy to change minds but said: “The best comedy has elements of creativity and optimism, offering alternative ideas, hopefully that will emerge.”
Harouni said, from her experience with her Trump-voting family, there’s reason to feel hopeful: “Not everyone who voted for Trump holds his worst beliefs.” She hopes the political comedy of the next four years considers that. “I like comedy that unites people from different systems of belief,” she said. “I hope people strive for that rather than continue to feed into the divisive narrative that’s driving Americans further apart.”
