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The Guardian - UK
The Guardian - UK
Entertainment
Martin Kettle

Pelléas et Mélisande review – Longborough’s staging is accomplished and atmospheric

Karim Sulayman as Pelléas with Kateryna Kasper  as Mélisande in Longborough festival opera’s production, July 2025.
His tenor flowers in moments of passion … Karim Sulayman as Pelléas with Kateryna Kasper as Mélisande in Longborough festival opera’s production. Photograph: Matthew Williams-Ellis

Anthony Negus’s conducting of Wagner has long been the chief musical glory of the Longborough festival. Now he has turned his attention to Debussy’s Pelléas et Mélisande, an opera on which he assisted Pierre Boulez at the Welsh National Opera more than 30 years ago. The results are no less unmissable and authoritative as his Wagner.

From the dark chords of the opening bars, Negus conjures a fluently idiomatic reading of the translucent score. The pacing is beautifully controlled and Negus is always attentive to Debussy’s many tone colour changes and subtle dynamic contrasts. He draws some ravishing woodwind playing from the Longborough orchestra.

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