Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Conversation
The Conversation
Anmol Dutta, PhD Candidate and Lecturer, Western University

Payal Kapadia’s ‘All We Imagine As Light’ disrupts popular narratives of Mumbai

Indian filmmaker Payal Kapadia’s new film, All We Imagine as Light, won the prestigious Grand Prix award at the 2024 Cannes Film Festival in May. The film exhibits an Indianness that is distinctive from the one most frequently represented globally.

Within mainstream Hindi cinema, India is often presented as a homogenous Hindu, upper-caste, middle-class Hindi-speaking nation. In western popular imaginations, on the other hand, India is often seen as exotic and over-the-top, or poor and backward.

All We Imagine as Light tells a story of two migrant women from the southern Indian state of Kerala, Prabha (Kani Kusruti) and Anu (Divya Prabha) as they struggle to build a life in Mumbai. The kind of Mumbai shown in the film is one that has almost never been explored in Indian cinema. In the film, we see its characters contend with cultural and social isolation, gender inequalities and the challenges of Hindu-Muslim love in India.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.