There’s a certain danger in collecting the work of Paul Schrader, as the Criterion Channel has done in a new streaming series that assembles 11 titles in anticipation of his Cannes-feted latest feature Oh, Canada.
Considered as a whole, the Schrader corpus may superficially appear repetitive to the point of stagnation, revisiting the same thematic concerns with the same narrative devices over and over through nearly a half-century on screen. He does so love his men in rooms, po-faced types haunted by their own capacity for sin as they morosely journal from their spartan living quarters between scandalized nighttime constitutionals to soak in the degradation of humanity. The cycle of transgression, penance and desperate grasping for salvation never stops, its eternal incompletion a key plank in Schrader’s repulsed view of humanity as fallible, alienated and forever at the mercy of its own urges. His characters are all just trying to get into heaven, but he can’t allow them – or himself – inside. Where would they go from there?
