When you think of Patrick James Eggle, it’s quite possibly his exceptional single-cut Macon that springs to mind, but he’s far from an only-Gibson-inspired maker.
Patrick’s Oz model, for example, applies stellar craft to the original production electric and the 96, here, interprets and modernises the Stratocaster platform as so many makers have done since the ’80s heyday of what we loosely call the ‘SuperStrat.’
