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The Guardian - UK
The Guardian - UK
Lifestyle
Laura Cumming

Paris 1924: Sport, Art and the Body review – an Olympic revelation from first to last

A bright, blocky painting of runners in striped tops on a racetrack with a red sun above
‘All bright stripes and scissoring limbs’: The Runners, c1924 by Robert Delaunay. Photograph: National Museum of Serbia

A fragment of misty grey film opens this enthralling exhibition. It shows tennis divas in flapper dresses swanning ceremonially round a stadium, and sprinters leaping forwards with greyhound grace beneath the lingering smoke of a starter’s pistol. Swimmers cut through pools like elegant blades. Cross-country runners hurdle walls then vanish from sight.

Two wrestlers lock limbs with such equal force they appear temporarily motionless, still as a statue. And right beside them, as if bodying forth into our space, is their exact counterpart in three dimensions: a cast of an ancient Greek sculpture made thousands of years ago. Art and reality – the two are so identical as to make you draw breath, and think again about ancient and modern, classical perfectionism and actual reality. Time spools back and forth in the gallery.

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