Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Conversation
The Conversation
Jen Webb, Distinguished Professor of Creative Practice, Faculty of Arts and Design, University of Canberra

Outback noir and Gothic creepiness: the uncanny is never far away in Martine Kropowski’s Everywhere We Look

Neil Bowman/Shutterstock

Crime fiction is one of the most successful genres. Its titles fill bestseller lists around the world and provide hours of pleasure to its many readers – including me, a long-time fan of the form.

There are various views about why it is so popular. Many offer a variant of Aristotle’s theory of tragedy, which crime novelist Dorothy L. Sayers explains at some length and with satisfying clarity.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.