We’ve probably all had a moment when we stopped taking the Oscars too seriously. For me, it was when Denzel Washington won best actor for Training Day (2001), a crime film in which he displays virtually none of his acting chops.
And as popular cinema becomes uglier (it’s mostly shot on digital video now, which almost never looks as good as film) and streamers (or logistics companies such as Amazon) take over film production, it’s becoming increasingly difficult to appreciate the point of the ceremony.
From this year’s ten nominees for best picture, The Brutalist, Conclave and I’m Still Here are good – while (most of) the other nominees are only okay.
