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Evening Standard
Evening Standard
Lifestyle
Nick Curtis

Orlando at the Garrick Theatre review – Emma Corrin is captivating in this bold, tricksy experiment

Emma Corrin, left, and Deborah Findlay in Orlando

(Picture: Marc Brenner)

Before we get to Emma Corrin’s captivating performance, can we pause to marvel that an 80-minute adaptation of a Virginia Woolf story about gender-fluidity is a Christmas hot ticket in the West End?

It feels like commercial and art-house theatre are productively entwined here, bringing a questing intelligence and star power to hot-button issues. And making it accessible, to boot, with 10,000 tickets at £10 available across the run.

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