
Emma Corrin, left, and Deborah Findlay in Orlando
(Picture: Marc Brenner)Before we get to Emma Corrin’s captivating performance, can we pause to marvel that an 80-minute adaptation of a Virginia Woolf story about gender-fluidity is a Christmas hot ticket in the West End?
It feels like commercial and art-house theatre are productively entwined here, bringing a questing intelligence and star power to hot-button issues. And making it accessible, to boot, with 10,000 tickets at £10 available across the run.