Opus, the film debut of former GQ editor-turned-director Mark Anthony Green has been described as a horror-musical. And while this new hybrid-genre film clearly has something to say, what that is remains frustratingly unclear.
Produced by independent film company A24, often a hallmark of quality, the film follows Ariel Ecton (Ayo Edebiri), a young writer striving to make her mark in entertainment journalism. While it gestures toward themes of celebrity culture and the toxicity of extreme fandom, the film ultimately feels tangled in a jumble of unfocused ideas and derivative references to other – arguably stronger – works.
Despite talent and determination, Ariel struggles with her boss Stan (Murray Bartlett) who redeploys her ideas to other senior colleagues and is often too self-absorbed to nurture her career development.
