Warning: spoilers for Oppenheimer are in play. If you haven’t seen Christopher Nolan’s historical epic yet, you’ve been warned.
When approaching a historical narrative like Christopher Nolan’s epic film Oppenheimer, there’s always a discussion of where the line rests between real events and dramatic invention. In terms of the Cillian Murphy-led ensemble biopic, those inventions mostly come from cutting between two different timelines of events, the end result being a non-linear movie that’s pure Nolan.
