Oppenheimer delivered an epic biopic that comprised half of one of the biggest weekends in box office history. But while it showed its flawed hero in an unflinching light, it wasn’t completely objective. Nolan told CNN the different styles of filmmaking represent the reliability of the story: the color scenes are subjective, and the black and white scenes are objective. “We’re trying to not judge the man,” Nolan said. “We’re trying to experience things with him and understand.”
