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Christos Makridis, Associate Research Professor of Information Systems, Arizona State University; Institute for Humane Studies

Opera is not dying – but it needs a second act for the streaming era

American soprano Renee Fleming performs at a dress rehearsal for a Metropolitan Opera production of 'The Merry Widow' in New York in 2014. Jack Vartoogian/Getty Images

Every few years, you’ll hear a familiar refrain: “Opera is dying.”

National surveys point to slumping attendance at live performances. Audiences are aging, leaving fewer fans to fill seats at productions of “La Bohème,” “Carmen,” “The Magic Flute” and the like, while production costs grow.

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