A fire alert disrupts the Venice screening of One to One: John & Yoko, Kevin Macdonald and Sam Rice-Edwards’ documentary about Lennon’s rambunctious post-Beatles heyday, when he and his artist wife Ono were first putting down roots in New York. Inside the hushed screening room, the flashing red lights and blaring alarm provide the second big surprise of the night. The first was how much I was enjoying the show.
Short of a documentary that unearths incontrovertible new evidence that he faked his own death, I’m not convinced that the world needs another John Lennon film. The medium, surely, has him well covered already. But Macdonald and Rice-Edwards have managed to find and mine a rich source of material, tightly tucked away amid all the other wildcat wells. Their film turns back the clock to the early 1970s and a benefit gig that occurred around the time of Lennon’s deportation battle with Nixon (see previous documentaries for details) and his extended lost weekend with May Pang (ditto). Crucially, too, it throws this concert against the maelstrom of the US political scene, with a channel-surfing aesthetic that skips from car and Coke commercials to the Attica prison riot and the near-fatal shooting of Alabama governor George Wallace.
