
As sideman, bandleader or composer, Jaco Pastorius is one of those rare players who can legitimately be said to have revolutionized their instrument. With his lyrical, melodic fretless work, growling fingerstyle 16th note playing and jaw dropping harmonics Jaco had total control of the bass guitar, and a charisma and stagecraft that would put many rockers to shame.
It’s a sign of this unique status that we in the bass playing community only need to use his first name when referring to him: like Elvis, Madonna and Prince, everybody knows who Jaco was. In simple terms, there’s bass before Jaco, and bass after Jaco, and that alone is reason enough to love the man.