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The Guardian - UK
The Guardian - UK
Entertainment
Mark Fisher

Once review – slick romance skips showstoppers and defies razzmatazz

A woman holds a man's face with one hand while they sit on chairs and face each other.
A low-key pleasure … Lydia White and Dylan Wood in Once. Photograph: Tommy Ga-Ken Wan

When Once opened on Broadway in 2012, later to enjoy a run in London’s West End, it was greeted with a degree of surprise. You can see why. In terms of the Great White Way, it is an anti-musical.

Based on the 2007 film by John Carney, with a book by Enda Walsh and songs by Glen Hansard and Markéta Irglová, it is unusual not just in being given a stripped-down production by John Tiffany on a barroom set by Bob Crowley that is all scuffed mirrors, wooden panelling and gloomy corners. And not just in its folksy atmosphere, with its preshow singalong and an ensemble of actor-musicians who muck in without fanfare.

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