With a certain crushing inevitability, the arrival of Olivia Rodrigo’s third album has been accompanied by a lot of frenzied decoding of its lyrics for references to Louis Partridge, the British actor whose relationship with the singer ended late last year. One magazine ran a 1,200 word essay, complete with annotations, panning its songs for nuggets of gossip: the fourth piece they’ve published on the subject in recent months. A British broadsheet plumped for a news story about the fact that Rodrigo had apparently changed the lyrics of a track called Purple, formerly a “very sweet and saccharine” love song, to reflect the end of their relationship. Over in New Delhi, The Hindustan Times was pondering rumours that the couple had actually got back together: “Interest in Partridge has grown after Rodrigo released her new album since fans believe the track Stupid Song has references to the singer’s relationship with him.”
Well, of course it has: for better or for worse, that kind of speculation seems to have become a major part of modern pop, and Oliva Rodrigo in particular has long been a beneficiary of the clickbait publicity it brings. Her breakthrough single Drivers Licence gained traction thanks to the rumour that its lyrics were about her former boyfriend Joshua Bassett’s dalliance with Sabrina Carpenter; Vampire, the lead single from 2023’s Guts invited yet more speculation about whether its subject was another ex or Taylor Swift. Indeed, she actively seems to encourage it: “I never talk about my personal life in interviews or in any public forum, so I guess the music is where people go to deduce things,” she recently told an interviewer, a line that seems to have a distinct hint of “go ahead, fill your boots” about it.
