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The Guardian - US
The Guardian - US
Entertainment
Jesse Hassenger

Obsessed with Obsession: how a low-budget horror changed the game in Hollywood

three people standing together
Director Curry Barker and stars Inde Navarrette and Michael Johnston at the Obsession premiere. Photograph: AdMedia/MediaPunch/Shutterstock

This week, the independently produced horror movie Obsession, which cost either $750,000 or $15m depending on whether you count its actual budget or acquisition cost for its studio, officially passed the latest Star Wars movie at the box office (the film has so far made over $165m in the US alone).

It’s not a coincidence that this happened on a weekday. Obsession’s box office power lies not just in its astonishing weekend-to-weekend strength (including the virtually unheard-of trajectory of increasing grosses on its second and third weekends) but in its powerhouse weekday grosses. This past week, as it approached the one-month mark in theaters, it was averaging over $4m on its weekdays. At the same point in the run of Avengers: Endgame, that movie – the biggest summer blockbuster of modern times – was pulling in half as much.

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