If you’re Gen Z or younger, you probably can’t remember the last time the UK was cool. It was before your time, I’m afraid – a Nineties heyday embodied by Britpop bands such as Oasis and Blur, Richard Curtis romcoms, YBAs (Young British Artists) headed up by Damien Hirst and his provocative animals in formaldehyde, and Tony Blair’s Labour Party finally booting the Tories out of power in 1997 after an 18-year stronghold.
It marked a period of genuine optimism – a feeling epitomised by sexy smackhead Mark Renton (Ewan McGregor) “choosing life” at the end of Danny Boyle’s Nineties masterpiece, Trainspotting – when British fashion, music and culture were the envy of all. A time when the country felt progressive, thriving and relevant. A time when, in fact, one might feel the tiniest bit justified in being “proud to be British”. Ginger Spice was even able to wear a union jack mini-dress to the 1997 Brit Awards without the merest hint that she was making some kind of anti-immigration political statement. That same year, Katrina and the Waves won the Eurovision Song Contest on behalf of the United Kingdom with their uplifting ballad “Love Shine a Light”.
