When you think of the Bloomsbury Group – the writers, artists and intellectuals who congregated at 46 Gordon Square in London in the early 20th century – you might think of Virginia Woolf; the Omega Workshops, which brought fine art to modernist designs; Charleston, a farmhouse in Sussex, frequented by core members who painted every available surface in blazing hues; or the famous phrase about their unorthodox sex lives – they “painted in circles and loved in triangles”.
But do you ever think – or know much – about a woman at the heart of the group, Vanessa Bell, sister of Virginia and co-director of the Omega Workshops? If Bloomsbury member John Maynard Keynes was the economics pioneer, and Woolf its literary star, then Bell was the painter equivalent. Yet it seems Bell has too often been overshadowed by her contemporaries, or pigeonholed by her domestically scaled work. No longer. A new exhibition at Charleston’s gallery spaces in nearby Lewes brings together the largest number of Bell works in history, 136 in total.
