Christopher Nolan’s “The Odyssey” launched with an estimated $124.5 million in domestic ticket sales and another $139.6 million from overseas, notching an even better debut than “Oppenheimer” and marking the filmmaker’s best opening since 2012’s “The Dark Knight Rises.”
Nolan flexed his singular box-office might with a global debut unlike any other. Few filmmakers alive could pull off a starry, big-budget adaptation of Homer’s epic poem. But in a Hollywood where intellectual property rights rule most hits, Nolan turned one of the world’s oldest works of literature into an unlikely summer blockbuster.
