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The Guardian - UK
The Guardian - UK
Entertainment
Lyndsey Winship

‘No one is immune to grief’: the team turning A Single Man into a sexy, grimy, heartbreaking ballet

Edward Watson in rehearsal for A Single Man, which will premiere at Manchester international festival.
Good grief … Edward Watson in rehearsal for A Single Man, which will premiere at Manchester international festival. Photograph: Tristram Kenton/The Guardian

“I can’t believe that somehow I was able to make it all the way to the age of 55 without having read that book!” says American singer-songwriter John Grant. “It’s a transformative book. I was just completely blown away by it; I’ve been trying to get everybody that I’ve ever met to read it.”

The book Grant is telling me about, enthusing from his sofa at home in Reykjavík, is Christopher Isherwood’s A Single Man, published in 1964, turned into 2009’s most stylish film by first-time director Tom Ford, starring Colin Firth, and now about to be a ballet, premiering at this year’s Manchester international festival. Grant, the former Czars frontman and now an acclaimed solo artist (with albums including Pale Green Ghosts and his latest, The Art of the Lie), is writing the new show’s songs.

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