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The Guardian - UK
The Guardian - UK
Entertainment
Daniel Dylan Wray

No Bounds review – from clubs to chapels, this Sheffield fest is dizzyingly daring

Hypnotic minimalism … Emergence Collective at Sheffield Cathedral, part of No Bounds festival.
Hypnotic minimalism … Emergence Collective at Sheffield Cathedral, part of No Bounds festival. Photograph: James Ward/PR

East African industrial metal, head-popping techno, walloping bassline, filthy jungle, improvised minimalism and experimental pop. With DJ sets, gigs, art installations and exhibitions stretched across Sheffield and Rotherham, this year’s No Bounds festival feels, and sounds, weightier than ever.

It begins in Sheffield Cathedral, where 10-piece Emergence Collective stir things to life with a beautifully subtle yet hypnotic performance of stripped back instrumental minimalism. Tara Clerkin Trio offer up an incredibly sparse, slightly woozy, yet quietly groove-locked set, with both acts thoughtfully leaning into the vast space, allowing silences and pauses to ring out.

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