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Cynthia Johnston, Senior Lecturer in History of the Book, School of Advanced Study, University of London

New exhibition explores history of decorative borders: from medieval manuscripts to William Morris

Sir Galahad, the Quest for the Holy Grail by Arthur Hughes (1870). Works from pre-Raphaelite artists like Hughes are on display in the exhibition. Courtesy of National Museums Liverpool

The Nature of Gothic, at the Blackburn Museum and Art Gallery, explores the history of decorative borders over hundreds of years. It covers the period from the late medieval age to the Arts and Crafts Movement of the late 19th and early 20th centuries.

In the late medieval period, manuscripts that were produced in northern Europe often featured decorative borders that framed the text of both religious and secular works. These borders featured motifs from the classical world such as swirling acanthus leaves, Greek meanders and intricate patterns which interlace flowers, leaves and vines.

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