Get all your news in one place.
100's of premium titles.
One app.
Start reading
Evening Standard
Evening Standard
Entertainment
Nick Curtis

Natasha, Pierre & the Great Comet of 1812 at the Donmar Warehouse review: exciting, audacious and infuriating

Jamie Muscato and Daniel Krikler in Natasha, Pierre & the Great Comet of 1812 - (Johan Persson)

I’d have loved to hear the elevator pitch for Dave Malloy’s massively audacious, massively pretentious musical riff on War and Peace. It covers only 70 of Tolstoy’s 1,400-odd pages, so we have to explain all the characters, Moscow society and the Napoleonic war stuff at the start, okay?

The music is a bit opera, a bit pop, a bit techno, but there’s also a lengthy four-finger piano motif and the Jaws theme in there. We’ll get great singers and sometimes build an overwhelming wall of sound but the lyrics will be through-sung recitative, with lots of exposition and dialogue that rarely rhymes and never scans. Oh, and everyone’s dressed as if they’re off to a Berlin underground club in the Nineties.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.