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Christophe Premat, Associate Professor in French Studies (cultural studies), head of the Centre for Canadian Studies, Stockholm University

Napoleon: ignore the griping over historical details, Ridley Scott's film is a meditation on the madness of power

While Ridley Scott’s Napoleon has been causing consternation among some historians, they are overlooking the fact that the historical record does actually support the film’s narrative in terms of one man taking power and shaping a new order during times of revolution and chaos.

Set against the bloody backdrop of the French revolution (1789-1799), Empress Josephine – a beautifully judged performance by Vanessa Kirby – who narrowly escaped Robespierre’s guillotine, loves Napoleon for his power and image.

In turn, the general (played by a much older Joaquin Phoenix – Napoleon at this point was 30, Phoenix is 49, but is so good it is easy to overlook this detail that had historians squawking), is obsessed with Josephine. The film unfolds in an unpredictable narrative, laying bare the poignant letters that expose the complex love/hate relationship they share.

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