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Robbie Moore, Senior Lecturer in English, University of Tasmania

Mystery, outback horror and a wandering protagonist propel Gail Jones’ The Name of the Sister

Desert sculpture outside Broken Hill, NSW. Trevor McKinnon/Unsplash

A side plot in one of Gail Jones’s most celebrated novels, The Death of Noah Glass (2018), involves a film-loving man who has recently lost his sight. Benjamin is desperate to enjoy thrillers again. He remembers watching, before his vision faded, the silhouette of James Bond, as iconic as a Caravaggio, taking aim down the camera aperture during the opening credits.

But the app Benjamin is using to describe movies is “mechanical and unimaginative”, so he hires former philosophy academic Evie Glass to provide live descriptive audio. She is not the Bond type:

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