Mission: Capture the spirit of nature by photographing insects in their natural habitats
Photographer: Nigel A Ball
Location: Nantwich, Cheshire
Kit used: Nikon Z8, Nikon Z MC 105mm f/2.8 VR S and Nikon Z 24-120mm f/4 S
Website: www.nigelaball.com
Instagram: @nigelaballphotography
I try to capture the spirit of nature, so I can share its beauty with others. All my images are taken in natural habitats. I never move or relocate subjects for better backgrounds and tread lightly to respect the habitat I’m privileged to experience. The images are a gift to me by nature herself. I believe photographers have an important part to play in conservation, sharing the wonders of nature to a wider audience and thereby increasing awareness of the beauty we could potentially lose.
I was introduced to photography by my late father in the early ’70s; we used to develop and print our own photos in a home darkroom. We then got into macro photography. Our field kit was a macro lens on bellows with a pistol grip and cable release. Fast forward and I’ve been using Nikon cameras for many years. My first DSLR was the Nikon D70. The last was the Nikon D850, as I’ve just received a brand-new Nikon Z8.
My interest in butterflies has become much more serious in recent years, and I’m now studying their behavior at my local nature reserve. The Z8’s high frame rate has given me the chance to photograph courtship displays and subsequently decode behavior patterns the D850 just couldn’t, consistently. Having viewed the first few images from my Z8, I have realized just how far optics have progressed.
My best shots
I’ve taken images like this before on my D850 and wanted to see how the Z8 and Z MC 105mm f/2.8 VR S would compare. I arrived just after dawn, mist hanging in the meadow and the sun peeping above the horizon. Research meant I had a pretty good idea where the silver-studded blues roosted. I eventually found a pristine female covered in dew and not obscured by heather stems. Once the sun crept above the trees behind me, it illuminated the butterfly and added golden sparkles to each of the dew drops. Perfect!
I wanted to capture the essence of a summer’s evening – a butterfly in a meadow bathed in golden sunshine. Butterflies roost in the early evening, often where they’ll catch the dawn sun. As a volunteer at my local reserve, I knew a secluded meadow with the right grass. The challenge was to find a solitary butterfly, catching the sun with its wings not fully closed and no wind. The small heath butterfly closes its wings as soon as it settles, hiding the ‘eye’ and orange color of the forewing, so I had to fire the shutter before it settled.
The butterfly in this image is smallish in size and very ‘flighty’. I wanted to capture it in its natural environment, where it often skips among the brambles. It’s also known as the hedge brown due to its propensity to frequent hedgerows. I used back-button focus with the Z8’s Pre-Release Capture so it recorded images when the shutter button was only half depressed, compensating for my slow reactions as the butterfly took off.
The six-spot burnet is a day-flying moth. It can be seen on a summer’s day, painting the sky with black lines, edged in red. I recced a few locations and waited for a calm evening with subdued lighting. I found four roosting on a thistle bloom, but as soon as I got set up they fell into the undergrowth; an effective defensive mechanism. I waited and, sure enough, they crawled back up their stems. I used Focus Peaking to ensure the nearest point was in focus and then used Focus Shift.
Dragonflies are skittish subjects. I’d watched this one for a while and realized it favored sitting on the same stick. I got myself set up and waited. It had seen me and promptly moved to another stick... I crawled towards it – silhouette below the skyline. Bingo! It landed and I got the shot.
My macro insect photography tips
- Get to know your subject. Learn where they roost, which flowers they visit and how they fly. The latter is particularly important when capturing insects in flight. Predicting the flight path can make or break an image.
- Use a fast shutter speed. When you photograph insects in flight, ideally use 1/8,000 sec. This will freeze your subject’s beating wing movements.
- Know the best time to go out. Insects are more dormant late in the evening or early in the morning. The latter is preferred, as dew will often settle on potential subjects, especially if there has been rain overnight.
