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The Guardian - UK
The Guardian - UK
Entertainment

My love supreme for the very best of jazz

John Coltrane at the Half Note club in New York, 1965.
John Coltrane at the Half Note club in New York, 1965. Photograph: Adam Ritchie/Redferns

I am similar to Adrian Chiles (I may not understand jazz – but I know enough to know it’s wonderful, 26 June). I only have a rudimentary understanding of the theory and structures of jazz; like Adrian, I am blown away by the musicality of a jazz band, the balance between individual expression and group cohesion, and the often familiar tune warped and moulded into something unique. There is nothing musically to compare with a jazz musician soaring off into some cosmic place (Jack Kerouac describes this brilliantly in On the Road). At its best, jazz is a transcendental, almost spiritual experience.

When you have heard John Coltrane, or when you walked through a Rome park at midnight with a jazz band conjuring musical alchemy, some guys robotically knocking out the same few chords just doesn’t cut it. I like jazz because it moves me in the same way that Beethoven and Puccini do. I am no muso – I just appreciate the emotional effect.
Mark Paine
Birmingham

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