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The Guardian - UK
The Guardian - UK
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Emma Beddington

My life is all food stains and dead pot plants – no wonder I dream of beauty and good taste

Bloomsbury in the Cotswolds … the artist and designer Luke Edward Hall at his Gloucestershire cottage.
Bloomsbury in the Cotswolds … the artist and designer Luke Edward Hall at his Gloucestershire cottage. Photograph: Mark C O'Flaherty/The Guardian

I devoured the journalist Hamish Bowles’s recent account of his recovery from a severe stroke, not just because good writing on life-altering events is my favourite genre, but for the way it explored the role of beauty in his recovery – and his life.

Bowles, who is World of Interiors’ editor-at-large, was pondering buying a “1930s gold lamé Lanvin dress” the day he was catapulted into the unlovely but life-saving surroundings of a stroke unit for 50 days, then into rehab for many more. He describes the things that first helped him to feel like himself, intubated and unable to speak, and those that shaped his long, slow convalescence. A “pomegranate-scented terracotta potpourri”, violet-scented face cream, lavender roses from Vogue’s editor-in-chief Anna Wintour and an “exquisite arrangement” delivered by Marc Jacobs, who wore a “wide-lapel jacket of shocking pink”. Bowles’s world gradually widens again in recovery, taking in Vermeer and Hockney exhibitions, and for his first trip home he wears a “vintage amethyst corduroy Dries Van Noten suit”.

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