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The Conversation
The Conversation
Layla Khoo, PhD Candidate, Public Participatory Contemporary Art, University of Leeds

My artwork, A Virtuous Woman, has become the centre of a protest – it shows how our polarised society can affect art

My project A Virtuous Woman is both an artwork and a piece of ongoing research into the role of participatory artwork in heritage sites. As such, the artwork was always intended to be dynamic, responding to the ways in which people wanted to take part.

The artwork was inspired by the embroideries of the ancient noble women commissioned by one of the most notable women in Elizabethan court and society, Bess of Hardwick, four of which are on display at the National Trust property, Hardwick Hall. The new work was intended to be a reimagining of the missing fifth embroidery, made from recycled fabrics donated by the National Trust staff and volunteers.

Visitors to the hall could take part in sewing, cutting and adding their own expressions through embroidery. But after two participants added the name of author J.K. Rowling to the piece and another embroidered a line of stitches through both instances, things became complicated.

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