Later-period Marvel movies have resorted to more fantastical plot devices such as parallel universes and time travel in an attempt to raise stakes in an increasingly complicated, superhero-populated cinematic universe. After Spider-Man: Brand New Day, a Marvel/Sony co-production that’s making a run at biggest-movie-of-all-time status, it feels as if those devices are making incursions into the real world and messing with the sacred timeline of superhero movies. Brand New Day has spurred speculation about the upcoming MCU reboot of the X-Men, seeded with the introduction of powerful telepath mutant Jean Grey (Sadie Sink). It’s like a reversed version of the early-century superhero boom, when the first X-Men movie became an unexpected smash in the summer of 2000, priming audiences for the record-shattering debut of the first Spider-Man two years later.
The only teasing of Spider-Man in the 2000 X-Men movie hid in the DVD’s blooper reel, featuring an outtake where someone (not Tobey Maguire) runs into the frame in full Spidey regalia, as a prank. At the time, there was no Marvel Studios making in-house movies; the company’s superheroes were at the mercy of whatever studio happened to license them. Fox had the X-Men, and parlayed them into a 20-year, 13-movie franchise. Meanwhile, Sony had Spider-Man, and made five of those (three with Maguire, two with Andrew Garfield) before striking a deal for the ascendant Marvel Studios to produce further installments within their MCU, while Sony retains the actual movie rights.
