When I first arrived in Melbourne four years ago, my introduction to the country’s political landscape came in an unexpected form – posters.
They bore the image of a fellow Afghan from the Cameleers’ era, accompanied by the curious label: Aussie. I spent weeks pondering its significance and discovered much later that this striking image was the work of Australian artist Peter Drew, who sought to challenge the exclusivity of national identity and acknowledge the often overlooked histories shaped by the White Australia policy.
