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Digital Camera World
Digital Camera World
Tom May

Mushrooms, mist and a 16mm gamble: here's what happened when photographer Albert Dross went ultra-wide and ultra-low with his camera

A stunning, low-angle photograph of several porcelain-white mushrooms growing on a dark, mossy log reflected in a pool of water, set against a misty, autumn forest floor covered in golden and brown leaves.

At first glance, it was an unassuming patch of woodland: damp leaves, a fallen log, a few pale mushrooms most walkers would barely register. But drop the camera to ground level, push an ultra-wide lens to its limits and start stacking focus, and an ordinary-looking forest starts to transform. 

Shot from beneath the fungi at 16mm, this image exaggerates scale, bends perspective and pulls the viewer straight into the scene, with razor-sharp detail running from the delicate gills in the foreground to the mist-softened trees beyond. It’s a reminder that sometimes the most compelling landscapes aren’t found by going bigger or higher; but by getting lower, closer and more technically precise.

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