But, battered by Chicago’s unforgiving weather, the version that had been up for more than 20 years was taken down last fall and put into storage.
Now, a new version honoring their bravery and sacrifice has replaced it, this one by South Shore artist Damon Lamar Reed.
In the previous mural, the three men who died in the fire — Capt. Daniel Nockels and firefighters Michael Forchione and Michael Talley — were seen in their gear, with angel wings on their backs, fighting flames against a smokey backdrop.
They are still the main imagery in Reed’s piece, but it’s not an exact replica. And that’s by design.
Reed says he tried to better capture what the men really looked like.
He also added a gold silhouette to their wings and portrayed them not amid dark smoke but instead in puffy clouds.
Their work vehicle, Truck 58, is more prominent, too.
Reed’s painting is bookended by names of the two neighborhoods that converge in that spot, which is near where the fire took place.
“I wanted to make it heroic,” the artist says.
Daniel Nockels’ son Paul Nockels says of the results: “Awesome. Wow. . . . Our family is grateful to the city for continuing to remember and honor the memory of my father, firefighter Talley and firefighter Forchione. I hope this new mural serves as a continued reminder of the courage and commitment by those that serve.”
Danny Fortuna, president of the Chicago Fire Pension Board and a retired Chicago firefighter, was at the scene of the Feb. 1, 1985, fire. Fortuna says the mural helps “keep the memory alive not only for those heroes but also the engine, the truck that was there that lost those guys — Truck 58.”
Ald. Carlos Ramirez-Rosa (35th) dedicated money from his aldermanic fund to the project and says his office worked with the city’s Department of Cultural Affairs and Special Events “to identify an artist and to begin the process of renovating and restoring the mural.
“A group of local artists, community residents, including representatives of Truck 58, met to discuss which muralist they would like to bring on,” Ramirez-Rosa says. “And once they selected Damon, they met with him to discuss the content.”
Reed’s is the third version of the mural.
The first went up months after the fire, with lead artist Jose Luis Berrios recognized at a dedication attended by then-Mayor Harold Washington.
In 1987, an arsonist on parole vandalized the painting, and it needed to be touched up.
In 2000, the mural was destroyed when it was temporarily removed after the building it was on suffered water damage.
It was recreated and installed on a large frame structure in the park, where it remained until being taken down last year in anticipation of Reed’s replacement.
The previous version is now in storage, and there’s been talk of getting it restored and installing it in a fire station.
