Suggesting that spectacular visual metaphor is the Royal Shakespeare Company’s new house style, a Hamlet set on a cruise liner is followed by a Much Ado About Nothing based in elite Italian football. After the National Theatre’s Gareth Southgate bio-drama Dear England, this must be the first season that both big subsidised companies have filled stages with young men in replica club shirts and jockstraps.
Before this Much of the Day starts, a TV sports feed tells us that FC Messina have beaten Madrid FC 3-2 in a European final, with a hat-trick from young winger Claudio. But cocky journeyman midfielder Benedick – jibed as “Signor Own-Goal”, replacing Shakespeare’s sexualised insult “Mountanto” – refuses to be interviewed by TV sportscaster Beatrice, due to some past bad match.
