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The Guardian - UK
The Guardian - UK
Entertainment
Rebecca Liu

‘People keep reinventing the same damn movie’: cinematographer Roger Deakins on 50 years behind the camera and his fears for film’s future

Roger Deakins filming Jarhead in 2005.
On the right track … Roger Deakins filming Jarhead in 2005. Photograph: AJ Pics/Alamy

Roger Deakins – cinematographer to the Coen brothers, Martin Scorsese and Sam Mendes, whose work has earned him 14 Oscar nominations and two wins, five Baftas, a knighthood and a reputation for being the greatest practitioner of his craft alive – is struggling to explain just exactly what he does. “Argh!” he exclaims, when confronted by the question: what is cinematography?

“Well, I started off trying to be a still photographer, someone like Don McCullin. And it’s been a whole arc through cinematography. Now what is cinematography? I don’t know. It’s very different from still photography. But the essentials are the same. You’re trying to tell a visual story.” It is “very much a collaboration”, he continues; working with “hundreds of people” on films can be a “wonderful experience … I suppose I’m not answering your question, because actually I’ve got no idea,” he says. “The cliche is visual storytelling, but it’s much more than that.”

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