He was the first Black male Academy Award winner. He was the first Black male movie star. For many white people, children included, he was the first Black male actor they loved. It is at first surprising to see Sidney Poitier talk about himself in an existing interview in Reginald Hudlin’s deeply insightful and loving tribute “Sidney,” a biographical documentary about arguably the most important American actor of the 20th century. So many of us are still stinging from his loss.
A poor, barely educated son of Bahamian tomato farmers, Poitier seeks his fortune in the United States at age 15, abandoning a Ku Klux Klan-riddled Florida for the more welcoming streets of Harlem. In New York City, Poitier gets a job as a dishwasher in midtown, where a Jewish waiter helps him improve his reading skills, using New York daily newspapers as his primer. Poitier auditions for the American Negro Theater and gets thrown out. As a young actor, he gets a big break in Joseph L. Mankiewicz’s “No Way Out” (1950) playing a Black doctor tending to a racist criminal played by Richard Widmark. Poitier hangs out with actor and music star Harry Belafonte and Broadway and method acting sensation Marlon Brando in 1950s New York City. His relationship with acting rival Belafonte is rocky, but long lasting.
Previously, Black men were represented on the screen by such comic relief actors as Stepin Fetchit (“Showboat”) and Mantan Morland (“Mantan Messes Up”). During the HUAC/Red Scare period, Poitier, a friend of the blacklisted Paul Robeson, gets another break in Richard Brooks’ groundbreaking “Blackboard Jungle,” a 1955 film featuring “Rock Around the Clock” as its theme song. Stanley Kramer’s revolutionary hit “The Defiant Ones” (1958) makes Poitier a star. “A Raisin in the Sun,” “Paris Blues” and “Lilies of the Field,” the film for which the actor wins his 1964 Academy Award for best actor, follow. At the height of a civil rights movement of which he was an important part, 1967 is dubbed “Sidney Poitier Year.” He stars in “In the Heat of the Night,” “To Sir with Love” and “Guess Who’s Coming to Dinner,” becoming the country’s biggest box office draw.
