Morrissey: Make-Up Is a Lie review – nostalgic, sentimental and dull, he is a shadow of what he once was

A boomer casualty of his social media algorithm? … Morrissey, pictured on the album cover to Make-Up Is a Lie. Photograph: Publicity image

Pretend that you don’t know a single thing about Steven Morrissey. Then play his recent single Notre-Dame. First you’ll hear a stutter of the kind of noirish, poptimised disco that might herald a new Harry Styles number, then a tremulous, faintly glitchy voice singing about the Paris cathedral.

You will probably be aware that Notre-Dame was partly destroyed in a fire in 2019. You will quickly glean that Morrissey and anonymous others believe it was no accident. “We know who tried to kill you,” he coos. “We will not be silent.” You may need to do some research to realise he is referring to the baseless claim that the fire was a deliberate act of arson covered up by the French government. You will soon be reading about conspiracy theories fuelled by rightwing commentators who suggested Islamist terrorism as a possible cause.