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The Guardian - AU
The Guardian - AU
Entertainment
Jordan Prosser

Monsters and madness and men, oh my! The Terror is the unsung treasure of peak television

Two men in 19th-century navy uniforms stand on the deck of a large sailing ship with masts and rigging covered in ice
‘A show populated almost entirely by white dudes forcefully positions itself as a brutal corrective to colonialist fantasy’: Tobias Menzies as James Fitzjames and Ciarán Hinds as Sir John Franklin in The Terror. Photograph: Aidan Monaghan/BBC/AMC Film Holdings LLC

There’s an old adage that adventure is extreme discomfort remembered from an armchair. But what if there is no armchair waiting at the end of your journey? What if you never return at all? Well, then you have the first season of AMC anthology series The Terror. Based on the bestselling book of the same name by Dan Simmons, who died last month, it chronicles a doomed Royal Navy expedition dispatched to the Arctic in search of the fabled Northwest Passage.

Under the leadership of Captains Sir John Franklin and Francis Crozier, the HMS Erebus and HMS Terror, manned with 129 crew, set sail from England in 1845. They became locked in pack ice off King William Island in the winter of 1846. After that, the entire expedition vanished – both ships and all hands lost – a sort of Victorian-era MH370 that has fascinated historians, geographers and artists ever since.

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