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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

Mnemonic review – Complicité’s brainteaser goes back to the future

A man of many parts … Khalid Abdalla in Mnemonic at Olivier theatre London.
A man of many parts … Khalid Abdalla in Mnemonic at Olivier theatre London. Photograph: Tristram Kenton/The Guardian

Remembering is not a neutral function but an imaginative act, Khalid Abdalla tells us in a lecture-style preamble. He might be speaking about the nature of this revival itself.

Originally conceived by Simon McBurney in 1999 and revered as one of Complicité theatre company’s greatest hits, Mnemonic is not replicated but reimagined by an 11-strong company of actors. McBurney again directs, this time with Abdalla as the lead, charismatic and hitting all the beats of his many parts. These include a charmingly scattered “memory DJ”; a bereft man whose partner, Alice (Eileen Walsh, excellent as always), goes missing while searching for her father; and a corpse discovered under ice which, it turns out, has been preserved for more than 5,000 years.

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