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Megalopolis, Francis Ford Coppola’s self-funded $120m (£94m) epic, certainly isn’t another Godfather or Apocalypse Now, but it’s at least bursting with ideas. The filmmaker spent decades trying to get Megalopolis off the ground. What if it was no good? And what to make of the many claims of chaos on its set? Ultimately, this isn’t the car crash it could have been. It is, though, deeply flawed and very eccentric.
